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upward

Roll up to a panel discussion organized and moderated by myself and artist/activist Shellyne Rodriguez!

Erasure by Exclusion: How Art Schools and Institutions Uphold White Supremacy

The art world is a microcosm of the society we live in. It should come as no surprise then, that structural racism and capitalism permeates how we look at art, it informs the work that gets prioritized as important and taught in the many classrooms that shape the arts for generations to come. This panel discussion will address the inherent issues of the structures in place at institutions of higher learning that seem content or complacent in continuing to teach an art history void of the intellectual and avant-garde contributions by artists of color. Together we will examine cultural erasure, and discuss the nature of this oversight with the intention of identifying solutions to this problem.

Panelists:

Dr. Ruthie Wilson Gilmore is Director of the Center for Place,
Culture, and Politics and professor of geography in Earth and Environmental Sciences at The City University of New York.
She is a cofounder of many social justice organizations,
including California Prison Moratorium Project, Critical
Resistance, and the Central California Environmental Justice Network. Gilmore has been a leading scholar and speaker on topics including prisons, racial capitalism, oppositional movements, state-making and more. She is the author of the book Golden Gulag which was awarded the Lora Romero First Book Publication Prize for the best book in American Studies by the American Studies Association in 2008.

Robin J. Hayes is a scholar, filmmaker, and interactive media designer whose recent film, “Black and Cuba” has screened to film festivals, educational institutions and nonprofits throughout the US and internationally.

Tomashi Jackson was born in Houston, Texas and raised in Los Angeles, California. She holds a MFA in Painting and Printmaking from the Yale School of Art. She earned a degree of Science Master of Art, Culture, and Technology from the M.I.T. School of Architecture and Planning in 2012. Her work has been featured in BOMBLOG, The Harvard Crimson, The Yale Daily News, The Yale Herald, Art Papers,Artnet News, and Hyperallergic. She is represented by Jack Tilton Gallery in New York City and teaches Drawing and Interrelated Media Practice at Massachusetts College of Art and Design.She lives and works in New York City and Cambridge, MA

Cheryl R. Riley- Artist and Art Advisor. She has written articles about artists of the African Diaspora and curates collections for private individuals and corporations while conducting a periodic series on the Art of Art Collecting.

Roll up to a panel discussion organized and moderated by myself and artist/activist Shellyne Rodriguez!
Erasure by Exclusion: How Art Schools and Institutions Uphold White Supremacy
The art world is a microcosm of the society we live in. It should...

thunderstruck9:

Fred Williams (Australian, 1927-1982), Victorian Landscape, 1976. Gouache on paper, 55.6 x 46 cm.

thunderstruck9:
“ Fred Williams (Australian, 1927-1982), Victorian Landscape, 1976. Gouache on paper, 55.6 x 46 cm.
”
angrywhistler:
“ Ruth Franklin
”
outsh:
““Landscape-series” by Alice Wellinger
”

About

i’m from and live in new york city i’m a photographer just trying to keep it funky fresh

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